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What Percentage Of Anime Fans Are Female

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Periphery Demographic / Anime & Manga

Become To

  • Light Novels for Highschool DXD were once placed in the women's section of a volume store, but it'due south not hard to tell why the series has a female following despite clearly being an ecchi fabricated for males. Fanservice aside, the female characters are powerful, well designed, pretty diverse in terms of personalities and go through their own graphic symbol arcs, with their attractions towards Issei being explored in a generally thoughtful manner akin to wish fullfilment stories for women. Information technology also helps that Issei and Kiba fall under Mr. Fanservice territory equally well.
  • Fist of the Northward Star has a fandom that consists overwhelmingly of adults not only in the W but fifty-fifty in its homeland Japan despite the original manga being a Shonen series. This can exist attributed to a combination of its relatively dark and cruel setting (fifty-fifty for a Shonen series being released in the Showa era, when censorship was relatively light), its mainstream popularity back in its original release, and its age (every bit near of its fans who were following it when it was all the same being published in Shonen Jump would now be in their 30s). Having plenty of barbarous, gory battles and a complex relationship between the protagonist Kenshiro and the main villain for one-half the story Raoh crusade it to achieve Seinen levels of themes. It'southward so brutal that, even in modern Japan, bookstores hesitate to place Fist of the Due north Star in the Shonen section and it'southward quite common to see information technology placed in Seinen sections or other demographics aimed at adults. And all contempo releases in the franchise, in particular Fist of the Blue Sky (which was written by the manga'southward original authors Hara and Burunson), have been officially classified as Seinen and take been published in magazines aimed at developed audiences.
  • The bishounen cast of Gundam Wing was created specifically to attract female viewers, something mecha serial typically lacked at the time. Information technology worked, and nowadays information technology'due south rare for a mecha series non to have a Bishounen in the main bandage. As for Gundam, with the exception of ∀ Gundam every show since Wing followed the "pretty boys in mecha" formula.
    • Also used quite evidently in Lawmaking Geass
      • And taken to its logical determination with Star Commuter, whose protagonist actually carries the championship "Ginga Bishonen" ("Galactic Pretty-Boy").
      • Worth noting is that Gundam Fly was essentially the next logical stride upward from "pretty boys in armor" shows like Saint Seiya which besides attracted female person fans to Shonen fighting anime with bonny male leads; in fact, much of Wing's staff previously worked together on Ronin Warriors, some other such series with a well-known demographic of female fans.
    • Loran Cehack, the protagonist of Turn A, crossdresses several times throughout, making a convincing plenty girl.
    • In Universal Century Garma, Quattro and Kamille are simply as bishounen as Gundam Fly'southward main bandage.
  • The Rose of Versailles has a substantial fanbase of men and older people who enjoy it for the drama of the 18th century and the charismatic Lady Oscar, though the original manga was aimed at teenage girls.
  • Crewman Moon:
    • Sailor Moon, which was aimed at a young female person demographic but had a large male fandom. It still does, to the point where Hot Topic is selling male-specific Sailor Moon t-shirts.
    • The franchise also has a very large adult female fanbase. Information technology's big enough that a lot of the merchandise for the 20th anniversary revival is clearly aimed at adult women, with items ranging from expensive makeup sets to Crewman Moon-themed bras and panties. Which makes sense. Given how popular the show was in the early 90'due south, in that location's probable a large number of women who fondly remember it from their childhood. Driving that dwelling, a popular women's magazine in Japan really held a loftier contour premier political party for Crewman Moon Crystal, with men barred from attending unless they were brought by their wives, girlfriends, or female person friends.
  • Black Butler:
    • Blackness Butler is labeled as Shōnen but seems to have more than female fans due to the large amount of Bishōnen lurking among the crew. Non to mention all the Ho Yay.
    • The fact that Grell is Transgender helps for some people, particularly trans people looking for representation. Ditto for Haruhi from Ouran High School Host Society (run into below), who comes off equally genderfluid (she's more comfortable in masculine article of clothing, and seems to be pretty indifferent in regards to her own gender).
  • In another strange case, the "main target" of Pretty Cure is said to exist females ages iv-12... and males ages 16-35. It'southward telling that the director of the original series, Futari wa Pretty Cure, has Dragon Ball Z on his resume. There's as well blatant Yuri subtext between the two main characters that would go over the heads of younger viewers.
    • This is especially noticeable in the 2010 HeartCatch Pretty Cure!. Every episode has magical girl kung-fu fighting that rivals some Shounen fighting anime aired at the aforementioned time.
    • There are, some Periphery Demographic outside those demographics. According to Youtube, the viewership of the intros of the serial has significant portion of men aged 35-55, way in a higher place what it was originally meant to. According to Deviantart, large amount of fanart drawers for the series are developed women.
    • The prove's popularity with adult women was also acknowledged with Deluxe Make Upwards sets resembling the Smile Pact from Smile Pretty Cure!.
  • Happens to many series created by CLAMP, an artistic commonage that primarly makes manga aimed towards girls, withal...
    • Clench's X1999 is a shoujo serial, even so its themes of humanitarianism, environmentalism and dualism, also as its heavy doses of action, violence, expiry and other dark themes makes information technology very often mistaken for shonen or even seinen, and is popular among boys likewise as girls.
    • Magic Knight Rayearth is a shoujo Magical Girl Warrior series about three girls that save a High Fantasy land with magical powers, frilly skirts... And Giant Robots. It has a considerably large male person fanbase, nearly of them from the Mecha fandom. In Latin America, where the testify was a large success, is ane of the most beloved Shoujo anime among men, even by many diehard shonen fans. Function of the appeal is that while it looks similar a typical 90'southward Magical Girl Warrior series, is generally a Eastern RPG tribute with some Super Robot thrown in it.
      • The Mecha fandom that liked Rayearth also happen to be part of Super Robot Wars, and and so the evidence ends up often being requested to enter the massive mecha crossover series, only it never made it there until Super Robot Wars T, twenty+ years after the bear witness finished airing (either Clamp was pretty defensive on their 100% backdrop (unlike Code Geass, which was directed past Sunrise) or it didn't laissez passer Banpresto'south 'requirement' level, until Super Robot Wars X-Ω lowered their standards).
    • Cardcaptor Sakura may exist ane of Clamp'south girliest shows, it's still well regarded by male person anime fans who bask the lighthearted story with mixes of comedy, romance and activeness.
    • Inverted with Seinen series Chobits, aimed toward adult males merely the romantic story and the graphic symbol developement makes it very popular among immature females, and Chii, with her fantasy lolita wardrobe, is a girls-favorite cosplay.
  • GaoGaiGar was the final entry of the Braves series past Sunrise, and as such, aimed at children. The show didn't practise very well with the principal demographic, just was a smash hit with the older otaku who had grown up with the likes of Getter Robo. The aforementioned happened in the U.S., where the fanbase is almost entirely adult mecha-lovers. Oddly enough, the sequel OVA series, GaoGaiGar Last tried to banking company on the older demographic with more fanservice and violence, and wasn't quite as well-received.
  • An anime series of Grimm's Fairy Tale Classics on Youtube has developed quite a significant teenaged and young adult fanbase — the demographic that has outgrown finding Happily Ever After satisfying but grown into finding the prince climbing out of the princess' bed fully-dressed hilarious.
  • Sports anime and manga like The Prince of Tennis, Kuroko'south Basketball game, Eyeshield 21, Big Windup!, and Yowamushi Pedal are shonen yet their fandoms consist well-nigh entirely of screaming fangirls. Actually, pretty much all sports anime and manga is shonen and ix out of x times there will exist an all-male bandage. Is it whatever wonder why this genre is the virtually popular i amidst female otaku in Japan? The Prince of Tennis fifty-fifty has Otome Game spinoffs!
  • Cutey Love was a dyed-in-the-wool seinen superhero sci-fi series. The more tame Idiot box series actually attracted younger female viewers, who by this time had equated her with their more familar Magical Girl, who themselves might have been inspired past her. Go Nagai admitted this side fandom surprised him, given the amount of racy humor in the original work. Re: Cutie Dearest which upped the Les Yay between Natsuko and Honey gave the prove a notable Lesbian fanbase every bit well.
    • Because of this, there was a spinoff series called Cutey Honey Flash, made past the same staff as Crewman Moon, aimed direct at a female audience.
      • Cutey Honey has sort of became an icon of feminine beauty in Japan, appearing in advertisements for things similar weight loss drinks.
    • In general, a lot of fans are also into information technology because of their loyalty towarads Go Nagai, cameos from his other shows like Devilman certainly helping.
  • Dragon Ball Z is an old Shonen anime involving Ki Manipulation, aliens, evil space overlords, and the occasional dinosaur. It has gained a massive American fanbase of women and girls from the ages of 14-25. This probably has something to do with the huge bulging muscles.
    • DBZ seems to fit more into the Multiple Demographic Appeal based on some statistics.
  • Digimon originally started out as a boys' alternative to Tamagotchi, simply over the years has gained a massive teenage and adult fanbase of both genders, thanks to the anime'southward strong, mature and clever writing, also as the more fanservice-y designs of some of the more humanoid Mons. Tamers is a common fan favorite among this audience due to its Darker and Edgier storyline.
    • It's also fairly common for most Digimon fanfics these days to have the homo characters exist in their late teens or adults rather than kids.
    • Bandai and Toei seemed to take notice of this afterward the franchise'south popularity with kids started to fade and their recent incarnations, including the games, Digimon Adventure tri. and Digimon Adventure: Concluding Evolution Kizuna take been marketed towards older teens and adult fans who grew upwards with the original series.
    • It works the other style around, too - its same female person counterpart Tamagotchi (both the toys and the Goggle box bear witness) has several male and adult (and developed male person) fans.
  • 1 Slice is really, really popular with girls and women. It might have something to do with the ludicrously masculine male person characters. Co-ordinate to this chart , there are more 50+ year old than people aged nether eighteen reading it.
    • May also have to practise with One Piece being remarkably progressive, gender-wise, for a Shonen series. While there is nevertheless some disturbing characterization (Brook, we're looking at you!), the evidence compares very favorably to shows that attract far more accusations of sexism.
  • Bleach has quite a big female person fanbase, probably because virtually the entire bandage is practiced-looking (both male and female person) and the male characters suffer a costless corporeality of Clothing Harm. And likewise the Ho Yay.
  • Tengen Toppa Gurren Lagann is a weird example in that (peradventure because of product squad and copious amounts of Fanservice and suspiciously sexual things) a large number of people don't even realize that information technology was targeted to a younger audience with an early Sunday timeslot. There'southward too the fact that the American broadcast wasn't as it aired at 11 PM Pacific time on Mondays and the dub had a moderate corporeality of profanity.
  • Spotted Bloom, a Josei manga chronicling the life of a hard working Husband taking care of his pregnant Wife; this work also happens to exist a Spiritual Successor (if non a Sequel itself, see the page) to Genshiken, a Seinen seires; cue to males post-obit a manga aimed to adult women.
  • One of the biggest foundations of Hetalia: Axis Powers is the Ho Yay amid the Moe Anthropomorphisms of several countries, which the more history-based fans often find... weird. Hetalia is an odd case in that it started off as a webcomic, with no real demographic in mind. Information technology's a Seinen manga by default, equally it was picked up for serialization in the Seinen monthly magazine, Comic Birz.
  • The anime for G-On!, a moe series aimed at otaku, became so popular with young girls that it also arrogance on the Japanese Disney Channel, right alongside Hamtaro and Gakuen Alice.
    • Ditto for Dearest Live!. Some of the merchandise says information technology'southward intended for ages 6 and up (mainly the chocolate wafers drove) and in ane of the recordings of the live concerts for Love Live! Sunshine!! (HAPPY PARTY Railroad train TOUR), when they cut to the audience, you can occasionally see a young girl or two with their parents. And in some countries, Love Alive! is a kids' show: in Taiwan, it airs on the same channel as PriPara and is featured in Angel, a girl'southward magazine covering popular things for girls like My Fiddling Pony: Friendship Is Magic, Pretty Cure and Disney.
      • While Love Live! is firmly aimed at a male person audition in Japan, outside of Japan it has a huge female following, much of it not exactly heterosexual; many of these girls and women aspire to sing, and some arguably friction match the quality of the original. Russian-speaking fandom is nearly exclusively female. It helps that the characters were originally designed by a female writer in Sakurako Kimino, who was also known for Strawberry Panic! In add-on, the serial itself is fairly light on Male Gaze relative to other Idol Singer franchises, to the point fans unaware of the main demographic for the genre would run into it equally a typical girls' series.
  • Trigun (Shonen) and Trigun Maximum (Seinen) is very pop with women, something fifty-fifty the author has noted, likely due to the very attractive male characters and realistic and relatable female characters that aren't sexualized. Most fanart for the series, peculiarly in Japan, is either BL slash or "cute guys doing cute things". This goes doubly so for the author'south other shonen manga Blood Occludent Battlefront, which seemed to milk this for all its worth by having officially licensed body pillows of all things.
  • Rurouni Kenshin owes much of its success to female person fans, despite being an often-violent activeness series published in an anthology aimed squarely at boys. The bear witness'southward title grapheme, a soft-spoken, gentle Bishōnen with a hidden, more violent nighttime side, most likely helped. The well-written romance between him and the female lead most likely helped too, particularly since it was one of the few Shōnen manga relationships that had real evolution and a definite resolution, while almost shonen couples get bogged down in an eternal game of "will they or won't they?". When the Kenshin movie premiered in Japan, something like two/3rds of ticket-buyers were female — which was roughly the exact opposite of the gender split up for a Shonen Jump film at the time.
  • Demon Slayer: Kimetsu no Yaiba:
    • The series is an action-packed Shonen Jump championship meant for preteen and teen boys which certainly delivers on the action, but the male person cast (which is the majority by far) are quite handsome men of varying tastes who manage to stay beautiful either when delivering major and gruesome beatdowns or existence on the receiving end of one. Information technology has a sizeable female fanbase in Japan, resulting in about of the fan works being most the handsome dudes being even more fabulous to flat out being Yaoi pieces. At the other end of the spectrum, at that place are beautiful female person characters as well, but they're generally outnumbered by the male characters.
    • In that location'south also a surprisingly large number of children in Japan who are even younger than the target demographic who savour the serial (despite how violent information technology can get). This contributed greatly to the record-smashing opening of the movie sequel in 2020. There was fifty-fifty a poll that revealed that some kids (mostly fiddling girls) admire Tanjiro more than their own parents.
  • Go to any anime group on Facebook, specially some groups that focuses on English dubs, and y'all'll discover parents saying that their kids enjoyed animes that are above their demographic like My Hero Academia, Fairy Tail, One Piece and Demon Slayer: Kimetsu no Yaiba.
  • While Azumanga Daioh is aimed at the high-school oversupply, it has a fair number of fans who have been out of school for quite a while, leading to confusion for seinen and What Do Y'all Mean, Information technology's for Kids? in some circles.
  • A off-white number of guys like Fruits Handbasket. While they don't really care well-nigh the bishonen aspect, the story is well-structured enough for them to care, and its humor is pretty much universal. It doesn't hurt that the female characters are well adult and cute to boot, while the male person leads Kyo and Yuki accept a rivalry not unfamiliar to shonen audiences to the bespeak where they almost act like they're a Genre Refugee duo with Kyo's Hot-Blooded tendencies and Yuki'south The Stoic mental attitude. Even the female person supporting duo Arisa and Saki take their male fans due to the former'south Japanese Delinquents background and the latter's cute Goth daughter aesthetic.
  • Since it'south been out of style with little kids since about 2004, Yu-Gi-Oh!'s current fandom is composed almost entirely of teenagers and young adults for its surprisingly circuitous and layered storytelling that younger audiences may not be able to grasp.
  • Lyrical Nanoha is an interesting instance, taking the usual Periphery Demographic for Magical Girl series (16-35 yr quondam men) and creating the series to appeal to them specifically. Nonetheless, there are quite a few younger girls who enjoy it. So the "normal" demographic for Magical Girl shows is the Periphery Demographic for this one? *caput explodes*
  • Ranma ½ is a shonen series pregnant it is supposed to exist popular for teenage boys. In Nippon, co-ordinate to and surprising creator Rumiko Takahashi, it was more popular amidst girls than guys and Animerica in the year 2000 said that it increased the number of female readers in the American manga market place.
    • In fact, most of Takahashi's works count. She is a shonen author, and most of her series are a mix of activeness and comedy with a male protagonist surrounded by impossibly attractive girls in fanservice-ish outfits, just as she is a woman, the female person characters are more than eye-candy and are well-rounded characters with actual ambitions and personalities and often take a primal role in the story, they are likewise physically strong and quite skilled in battle. The series of Takahashi also features a lot of romance and gags that are enjoyed by males and females alike, and because of that, her series are extremely popular amongst women and that sure had helped her to go one of the best selling manga authors of all time.
  • Slayers is shonen, but information technology has a very dedicated female following, largely due to the Ship Teasing and female person protagonist.
  • Reborn! (2004) is also a shonen series, just a fairly large minority of its readers are Yaoi Fangirls. The Style too many bishounen characters in that series aid, and notwithstanding it's calculation more. Well, y'all can't make a evidence nigh a teenage boy who spends about of the outset season running around in his underwear without atracting at least some female person fans. Rebocon is a concert dedicated for this series; if you lot watch the video you will just hear girls screaming.
  • If you lot just expect at the title of Maid-Sama! (The Student Council President Is A Maid!), it sounds like a moe series aimed at the male otaku oversupply. In fact, it'southward a Shoujo series almost the female pupil council president of a formerly all-boys school who has to work at a maid cafe to help her family unit put food on the tabular array and attracts the attention of the schoolhouse's resident bishounen. This doesn't end guys from watching it, though. The serial' equal focus on romance and wacky humor, non to mention the bonny female lead and likeable male lead, concenter plenty of male person fans.
    • The trope also carries over to the story's protagonist Misaki, as a character of the subject-class Tsundere archetype who went through heaploads of Grapheme Development thanks to her interactions with the rest of the cast, moreso with Usui.
  • Negima! Magister Negi Magi can be loosely described every bit a Harem One-act-turned-fighting manga, with loads of fanservice and moe. The fanbase in Japan is 60% female, with a not-insignificant clamper being preteen girls. This makes more than sense if you lot know the serial. Starting from about the same time as the Genre Shift, Ken Akamatsu, the creator, began calculation little hints of Ho Yay to the series. Whether this was a outcome of the Periphery Demographic or the crusade of it is extremely debatable.
  • One Stormy Night: While the book and film were aimed at a family unit audience, the 2005 film gained a bigger following with teens and young adults in the west, mainly with the furry fandom, anime community, and especially the LGBT community.
  • Princess Tutu is about as girly as a Shōjo can get, but has nonetheless developed an adult male following that heralds it as an metafictional epic whose awesomeness can only exist compared to ninjas engaged in a rock battle — Hence it's Fan Nickname: Guitar Ninjas.
  • Emma: A Victorian Romance is, rather surprisingly, a seinen series, simply it enjoys attention from all other demographics. A swell deal of the interest in the testify is in the fact that it's a show about a maid, but it'due south not a Meido show.
  • Maria Watches Over Usa was initially aimed at teenage girls, what's with its melodramatic story and dreamy atmosphere. But since information technology's Yuri, it has stiff male person fanbase. The writer herself have satirized this phenomenon many times in the story. This even crosses into Multiple Demographic Appeal, as evident with the OVA release. The ending was performed past KOTOKO, who is known for performing opening and ending of Eroge aimed at men.
  • Hamtaro is a Kodomomuke series but it still has a significant teenage and developed female fanbase.
  • Panty & Stocking with Garterbelt has a rather significant female fanbase, despite it very plainly pandering to guys; Panty and Stocking are seen as good feminist icons by some, because they're both badass without falling into the "we can't portray any females with flaws, lest it be a bad representation of women" cliché, they're badass, they never have to be saved by men, and Panty's obsession with sex is only portrayed as bad because it gets in the way of her work (and because she has terrible taste in men), not considering sexual practice itself is inherently bad. Panty and Stocking are besides sisters who worry virtually each other, and enjoy hanging out with each other.
  • Chi's Sweet Home was originally a Seinen manga. Since Ridiculously Cute Critter was in play, it seems to attract pretty much whatsoever audition.
  • Nobuyuki Fukumoto, who writes series geared at adult men with a rather unusual artstyle, has a surprisingly large female person fanbase. This may be due to the infamous lack of female person characters in his work, which provides provender for Yaoi Fangirls. And, of grade, Kaiji is Moe.
  • Viz mentioned that Tiger & Bunny is intended for 14-25-year old males. This brought on many laughs from the rather large, very female fandom that's formed around it. It's too very popular with Bara Genre Guys.
  • Speaking of the madness of female person fans, Inazuma Eleven falls victim for this trope hard. How hard? Consider this: in Pixiv (kinda like DeviantArt, but Japanese), a carve up tag was fabricated just to split up the more than risque, fujoshi-oriented Inazuma Eleven pictures from the ones that the target audience can look at. Statistically speaking, the risque pictures comprise more than 20% of all Inazuma Eleven illustrations submitted to Pixiv.
  • Still on Pixiv, Nintama Rantarou, of all anime, also has its own divide tag for exactly the same reason. You lot'd never approximate that from the content of the anime, which is day to day chance of a band of goofy Ninja kids. Mayhap it's the women who watched it in their childhood.
  • Pani Poni Dash! was quite pop for children, despite aiming for the more cultural audience to get the pop culture reference. It does help how crazy and all over the place the anime is, though, which would guarantee tons of laughs.
  • Kanamemo has its share of female fans affectionate the yuri context for the sake of cuteness.
  • Ouran Loftier Schoolhouse Host Club, despite being a bishonen-ridden contrary-harem serial, is well-written and hilarious enough to attract a sizeable male audition as well. Another appealing aspect is that the female person protagonist is a beautiful simply sensible girl who'due south refreshingly more than realistic than most shoujo heroines and how much focus and evolution is given on the host guild members.
  • The household name boy-targeted game/carte animes: Pokémon, Yu-Gi-Oh!, Digimon, Beyblade, Bakugan, and Particularly Cardfight!! Vanguard have large amounts of female fans who either watch information technology for the bishounen or the bishounen getting naughty. This would explain all the fanfiction on Fanfiction.net. Although other reasons are on this page, this one is to explain why teenage girls watch young boy anime.
  • Puella Magi Madoka Magica is a weird example. Similar the Nanoha example above, it took the cutesy grapheme designs (by Hidamari Sketch'due south own Ume Aoki) and marketed information technology to the usual Periphery Demographic (developed men) of the Magical Girl genre. So episode 3 rolled effectually and fans realized that the creators were doing something else altogether. All the same, this has not stopped the serial from having both male person and female fans. More often than not adults, though. This... really isn't a prove for your little sis.
    • Except that in Australia, Puella Magi Madoka Magica has indeed adult a fanbase of young girls, thank you to children's channel ABC3 airing information technology in total, almost entirely uncut, note The violence was entirely left intact, only the scene where Sayaka reacts to men talking nigh how they take sexual advantage of their girlfriends was snipped targeted at that demographic.
  • A notable portion of the Kimi ni Todoke fandom consists of older males. Reasons for this include the series in many ways breaking the shoujo mold, such as favoring Single Woman Seeks Good Man over All Girls Want Bad Boys and focusing a expert portion of the story on the non-romantic relationships betwixt characters. Plus, Sawako is pretty relatable to a lot of timid manga/anime fans of both genders, and when she's non unintentionally scary, she'southward actually really beautiful.
  • Pokémon Adventures is published in magazines aimed for elementary school kids, but its strong sense of character and continuity draws in older readers, especially those nostalgic for the games but got tired of the anime.
  • This also applies to Pokémon: The Serial, although to a bottom extent than the games and (possibly) the manga. This may be because unlike the games and manga, the anime's writers very rarely cater to the Periphery Demographic itself.
  • Bakugan is a typical Trade-Driven Mons anime, by and large aimed at 6-11-yr-quondam boys. The character designs of the humans, both male person and female person concenter teenagers and 20-somethings who could care less about the story. There are too all manner of adults who buy the figures and cards and have long discussions about the mechanics of the game.
  • Inuyasha:
    • The series is a shounen but has an enormous female fanbase, likely due to the ordinary schoolgirl protagonist, romance, and plethora of pretty boys.
    • Zig-Zagged in the United States when it comes to the age of the fans. The series was aimed at kids in Nihon, just was deemed too tearing for a kids timeslot so it was put on Adult Swim and treated as an developed series. In spite of this, it still concluded up condign immensely popular with children who stayed up late or woke upwardly early to watch it.
  • Berserk:
    • The testify has a much larger female person audience than you would logically look from its well-earned fame as one of the goriest, most disturbing stories in existence. This is considering its female person characters are non-stereotypical, not to mention that it is mayhap one of the few works of fiction that treats rape and its psychological repercussions with realism and, what do y'all know, respect. And that, as fans will quickly tell you, the main story is based on more universal and epic themes than "tits and gore", infamy be damned.
    • Berserk has also attracted a number of Yaoi Fangirls due to the heavy, heavy Homoerotic Subtext between Guts and Griffith. That's not to say that all or even most of Berserk's female fans are there for the Ho Yay, though; Berserk just has a lot of Multiple Demographic Appeal, equally mentioned above.
  • Daily Lives of High School Boys is targeted to the demographic, only like most works in this genre it has a sizable female readership—due to the fact that well-nigh of the cast is male person. The catastrophe credits message for Episode 6, aired on the midnight earlier Valentine'due south Day, lampshaded this:

    Information technology may be Valentine's Day, but don't send the characters chocolate or anything. If you're sending it anyway, please send it to the studio, not the Telly station.

  • Although Fate/Nada comes from a franchise famous for Eroge and MsFanservices, and is well-nigh as Seinen as it tin can get, it has gained quite the devoted Estrogen Brigade due to the predominantly male cast and big amounts of Ho Yay in the anime adaptation.
  • Fairy Tail: Some other case of a male-targeted shonen series that females savage in love with. Natsu's breast is on total display nether his vest, and Grayness Fullbuster has as many female fans in existent life every bit he does in-universe. It'due south to exist expected when one has a habit of stripping down to his boxers (albeit unwittingly). There are strong female leads in Wendy and Erza likewise; though a fair number of women also happen to be fantasy fans.
  • MÄR, the anime anyhow, got hit with this pretty hard. That's e manga is a relatively gory shonen, aimed at an 11-16 male audience; the anime toned down the violence to make it more suitable for children, and so it was probably aiming for a nine-14 gender-neutral audition. However, the anime also ramped up the Fanservice, but only really in terms of Yuri and Yaoi fanservice, which attracted a HUGE audience of Yaoi fans that pretty much overtook the fandom. The show's biggest broken bases are all acquired by what the Yaoi fans liked or didn't like and what anybody else liked or didn't like. Poor Snow has become The Scrappy to many for beingness caught in the middle. (Every bit she's the only girl NOT exploited for fanservice just whose emotional connection to the protagonist interferes with possible Yaoi pairings.)
  • Highschool of the Dead has a very large female person post-obit despite being packed to the brim with gratuitous fanservice and Rule of Cool.
    • This poll suggests that the bear witness is actually more popular with females than it is with males. Commonly cited explanations is the prevalence of Action Girl, the refreshing Aversion of The Smurfette Principle, and Takashi.
  • Free! or "Swimming Anime" was originally only a 30-second commercial featuring school boys on a swim team. Naturally, fujoshi picked it up immediately and acquired Tumblr to explode. The news of it becoming a reality in July caused multiple fangasms. Though, information technology is popular with men likewise admitting to less an extreme sense. Of form, KyoAni doesn't ignore the male fanbase likewise as it tosses in Matsuoka Gou.
  • March Comes in Like a Panthera leo is a Seinen series about a teenage who also happens to be a kishi, a professional player of Shōgi. Despite being about a relatively unknown game outside of Japan, the series' heavy focus on character development allows the series fanbase to both genders and a wide age range, something that's even subtly implied to be one of its selling points in the commercials for its volume releases.
  • Kill la Impale is popular amid the shonen demographic. It is meant for the seinen oversupply but it tin easily be confused for shonen upon outset glance since it basically has all of the themes one would expect a typical shonen to accept. Of course it besides has lots of nudity and explores topics such as sexual attack and incest which would definitely not be in any shonen series.
  • Attack on Titan conversely is aimed at the shonen demographic, but thanks to its dark themes is popular with the seinen demographic. The series has also attracted a potent female audition, mainly due to the number of Activeness Girls with relatable and assertive personalities and numerous Bishonens likewise (particularly Levi).
  • It's not uncommon to hear viewers of Aldnoah.Zippo proverb things like "I wouldn't unremarkably watch a Mecha Prove, only this is pretty interesting." This title pulled in a lot of non-mecha fans for a multifariousness of reasons, such as the utilize of a calm, nerveless principal graphic symbol (equally opposed to a Hot-Blooded protagonist the genre gets overly defendant of using) and the fact that the practiced guys take to utilize actual tactics in their standard regular army mechs instead of relying on a Super Prototype. I as well cannot disbelieve the star power of big name creators like Gen Urobuchi and Hiroyuki Sawano, whose names solitary generated a lot of involvement in the prove even before anyone knew what it was going to be almost.
  • The Little Women Ai no Wakakusa Monogatari 1987 anime, fabricated equally part of the World Masterpiece Theater series, was originally intended for little girls only when the LWAAS fandom started, erstwhile fans and newcomer teenagers and adults start to remember how tragic it was. No Wonder Grinning of a child TV arrogance information technology at ten pm.
  • Princess Princess is a shojo manga featuring a trio of bishonens cross-dressing as the titular princesses in their One-Gender School. Despite the heavy dose of shonen ai it is sprinkled with, it is quite pop among guys because of the sheer hilarity of the chief characters' antics.
  • Expiry Note was geared towards a shonen audience, but it has likewise attracted a large female audience equally well, more or less thanks to Low-cal Yagami. And much like 'Assault on Titan, the series has also attracted an older male audience (seinen) besides due to numerous dark themes in the serial as well every bit moral ambiguity of the primary characters.
  • High Schoolhouse Dx D is marketed as a Fanservice with a lot of Buxom Is Amend involved. To the surprise of Ishibumi, in that location are a lot of female person fans of the series with an even split between the fanbase that some bookstores sell the series in the women's section of calorie-free novels. Probably thanks to a lot of Action Girls, very masculine men, and some implied Ho Yay moments with the main character and various male characters involved.
  • This trope can employ any anime with an all male person cast that was adapted a shonen title, yet has a sizable female person fandom. For male audiences, this example is zigzagged as there have been anime featuring a pretty boys cast that still manage to concenter a male person audience despite being intended for women (with Free! existence the best example).
  • Jojos Bizarre Adventure sometimes attracts the attending of classic rock fans who are not usually into anime or manga, due naming many of its characters afterwards classic rock songs or musicians (although more modern stone, rap, and pop music is also referenced later). Unfortunately, a lot of these references are omitted in the English translations, due to fright of copyright infringement lawsuits, only it's easy to practise a quick Google search and see what the original proper name was supposed to be.
    • Information technology besides has a surprising Estrogen Brigade despite its Rated M for Manly condition. Information technology's especially noticeable with female Idol Singers, including an interview with Hirohiko Araki himself conducted by Shoko Nakagawa.
      • The Mobile Telephone Game JOJO Pitter-Patter Pop was seemingly fabricated for this demographic with its match-4 nature, cute Super-Deformed characters, and room-decorating feature.
  • Many Idol Singer anime aimed at children, such as Aikatsu! and the Pretty Series tend to have fans who are grown men that do everything from grunter the arcade games upon which the shows are based to attending screenings of the picture show in which fans of the shows are encouraged to cheer and sing along with their favorite idols.
    • Older otaku girls ended upward getting into Pretty Rhythm as much as their younger counterparts. In fact, the Male monarch of Prism franchise was made specifically for those older girls to enjoy.
  • Suzy'due south Zoo: Daisuki! Witzy: Has a sizable periphery demographic, since information technology actually resulted in the release of cellphone trinkets, electronic photograph-frames and virtual stickers, none of which are useful to the target demographic.
  • Sgt. Frog: Some of the Asian countries with a substantial Keroro fanbase really have mandatory national service, like Taiwan and Singapore. Practise the math on that, and you've got a generation of otaku fanboys who take served in the army - rather like Keroro himself.
  • The Disastrous Life of Saiki K. is published on Weekly Shonen Jump, but it'southward more popular with older girls. Shueisha even had the author to create an original special affiliate for publication in the Josei magazine Cocohana every bit a fashion for advertisement.
    • The morning four minutes anime adaptation is aimed at an even younger crowd, but co-ordinate a poll run by the Japanese site Charapedia information technology was the most highly anticipated Summer 2016 Anime betwixt the female voters, ranking third in the overall rank fifty-fifty though information technology was non fifty-fifty in the top 10 betwixt male voters. The nightly broadcast of twenty minutes compilation episodes with a more serious opening theme is probably geared towards this public.
  • Yuri!!! on Ice has a big following of Yaoi Fangirls. Due to the human relationship between Yuri and Victor taking several romantic undertones, culminating in their kiss and becoming the testify's Official Couple, information technology besides gathered a large LGBT Fanbase. There are likewise a lot of straight guys that enjoy the testify due to its portrayal of a romance betwixt the two male leads without relying on Boys' Beloved tropes, as well every bit many existent-life professional figure skaters (which is notable since near sports anime and manga rarely proceeds any kind of following from actual athletes) making the series one of the few alluring a very diverse audience.
  • Predating G1 My Little Pony, Heidi, Girl of the Alps had quite the boy fanbases in many countries, particularly Frg and Italy, partly due to the adorable, lovable little Heidi herself, as well as things like focusing on gender-netural (or made gender-netural, in the prove itself) topics, like conformity, friendship, nature, town and city buisness and so forth.
  • Kemono Friends aired at Otaku O'Clock, but the director, who had previously worked on shows aimed at children, decided to proceed the show suitable for kids (who would presumably be watching it via streaming rather than in the late dark timeslot). This demographic became then prominent that a reairing of the show starting from August 2017 put information technology directly in an early on morning timeslot aimed at children.
  • Kanokon, a very racy seinen/ecchi serial, actually was pulled from complimentary Japanese streaming due to this trope. Particularly, a Japanese news outlet reported that according to statistics from a video service, total episodes of Kanokon were the most pop videos with elementary school aged boys and girls.
  • Osomatsu-san: Considering this bear witness is a sequel to ane of Nihon's near well-known manga serial, the show quickly gathered upward a wide audience, just what most people were surprised nigh was the large fujoshi fanbase.
  • Despite being a shonen series, Yotsuba&! is often read by both boys and girls in the kodomo demographic in America - the series has appeared on many recommendation lists for young children, simple and middle schoolhouse libraries, and the kids' section of most public libraries.
    • Oh, and also 4chan.
  • Let'southward see. Attractive male characters? Many prominent, competent and well-written female characters (bulk of whom are Action Girl)? Numerous romance subplots? No wonder Case Closed has a large female demographic that typically doesn't follow a mystery shonen.
  • Wandering Son is a seinen aimed at adult men, only its focus on the life of two transgender preteens as they grow into adults makes information technology very popular with trans youths. Its English language translation has even been given an accolade for teenage-aimed media.
  • Due to its give-and-take of religion and Edward being a Nay-Theist, Fullmetal Alchemist, mainly the 2003 anime but Brotherhood also, has a lot of religious (especially Christian) fans who interpret the story having spiritual themes. This includes Edward's own English VA. Information technology also has a lot of atheist fans considering Edward'due south nay-theism is confused for disbelief (and because Roy is explicitly an atheist).
  • Kado: The Right Answer is a seinen series, but also attracted an Estrogen Brigade with its cute and handsome male bandage, specially Yaha-kui zaShunina, and their Ho Yay.
  • My Hero Academia is a shounen series that however has a big female following, due to its respectful portrayal of female characters by shounen standards. The bodies of the girls in Grade 1-A are both realistic and their grapheme designs as as varied as those of the males, with mostly downplayed fanservice and no one getting the Faux Action Girl treatment. It also helps that the series has a off-white corporeality of manservice.
  • SSSS.GRIDMAN is clearly aimed at those who watched the source material (and its American adaptation) as kids, as well as Kaiju fans and Tokusatsu fans. And at that place are those who sentry the show for the "waifus" Rikka and Akane.
  • Despite being aimed more than for people with an interest in learning about anime product, Continue Your Hands Off Eizouken! has garnered a surprisingly large following among the neurodivergent community, especially in one case the anime adaptation began airing, thanks to 2 of its pb characters, Midori Asakusa and Tsubame Mizusaki, embodying a large number of characteristics mutual amid autistic people and people with ADHD (specially the quondam). While Asakusa and Mizusaki are never really specified to accept a neurological condition, the similarities accept made them characters with whom autistic viewers and viewers with ADHD tend to place and embrace, and a number of autistic fans even headcanon them equally being autistic note though the reveal that author Sumito Owara has ADHD seems to have galvanized the apparently mutually sectional headcanon of Asakusa having the same condition among fans with ADHD; that said, many autistic fans, fans with ADHD, and autistic fans with ADHD are willing to headcanon her equally having both, given that the ii conditions can co-occur. Information technology helps that these traits are never used to paint Asakusa or Mizusaki as "weird" or worthy of scorn, but are rather treated equally just part of who they are, existence counteracted and complemented by their passion for animation (with their skills in the field being shown as the result of years of practise rather than being inherent talents) as well equally the two beingness able to realistically connect and make friends with each other and with the evidence's other lead, Sayaka Kanamori, a far cry from stereotypical depictions of neurodivergent individuals not only in the due west, simply also and especially Japan (particularly in regards to autism, the stereotypes about which in Japanese society are still rooted in outdated and debunked theories from the 1950's). The fact that author Sumito Owara revealed in 2019 and 2020 that he's autistic and has ADHD also factors into this to an extent.
  • Although Black Clover is a Shōnen marketed primarily for young boys, it has clustered a adequately large number of female person fans due to its more than respectful handling of women for the genre, with the third popularity poll having half its meridian ten characters being female. Noelle is the Deuteragonist and gets a lot of Character Focus on her becoming a powerful mage and growing out of her insecurities. The other female Black Bulls — Charmy, Vanessa, Grey, and Nero — all get important moments and aren't overshadowed by their male squadmates. Mereoleona is an inhumanly powerful mage who believes in the force of female determination. Fifty-fifty Mimosa, who starts off as a recovery mage, resolves to get stronger and becomes a competent fighter herself.
  • Kaiju Girl Caramelise was written first and foremost as a Shoujo manga aimed at women, and the focus of the story is a high school romance. Withal, while there are still some female readers, a large majority of the fans are male person, something that surprised nonetheless elated Spica Aoki. The fact that the eponymous pb character can turn into a Kaiju, with references to various Kaiju and other Tokusatsu franchises sprinkled throughout, probably influenced things.
  • Although Redo of Healer is aimed at men, The anime adaptation has more female viewers than male person ones, ignoring the fact that the anime (and the original lite novel) merely show Kayal/Keyaru raping and torturing his sex slaves and his enemies, both of which are all female, while the latter are brainwashed past him. Must be seen to be believed.
  • Trapped in a Dating Sim: The World of Otome Games is Tough for Mobs, is another instance of a piece of work targeted at what was originally a periphery demographic (men who enjoy works in the female-aiming Otome Isekai subgenre), alluring the original female person audience. The series has a rest of attractive men and women, with Ho Yay (especially interpreted between Leon and Luxion), and the female leads of the franchise are well developed, with The Rival... besides being female person. The protagonist, Leon, has a lot of female fans, in part due to being a handsome bad boy, which is the focus of the series' television ads, despite the series being designated Shounen.
  • At first, the entire Jewelpet franchise appealed to girls only. It was with the release of Twinkle, followed by Sunshine, that the series started highly-seasoned to older demographics, including otakus.

Source: https://tvtropes.org/pmwiki/pmwiki.php/PeripheryDemographic/AnimeAndManga

Posted by: wardhoulds.blogspot.com

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